A farmstead holds its last light while a rose-gold moon climbs into a fading winter sky.
Painted from an evening spent watching the horizon burn out over snow-covered fields, Snow Moon is a study in restraint — the quiet hour when color drains from the land but not from the sky. This edition brings that same hush to paper, printed at a scale close to the original canvas.
Edition of 75 — hand-signed and numbered
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A dirt road runs toward the hills as long shadows fall across the fields at day's end.
Late-day light rakes low across a quiet country road, catching the last stand of trees and stretching the fence line into shadow. Afternoon Road Shadows captures that particular stillness of a rural crossing at dusk, where the light says more than anything on the horizon.
Edition of 75 — hand-signed and numbered
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Eleinne paints the hour light changes.
Working in the tonalist tradition, Eleinne is drawn to the brief, shifting light of dawn and dusk — the moments when a landscape says the most while showing the least. Her work has shown at Sotheby's New York, the Salmagundi Club, The Buffalo Bill Museum in Cody, Wy, The National Cowboy and Western heritage Museum in Oklahoma City, OK, The CM Russell Museum in Great Falls, MT and placed in the ARC Salon's top landscape entries.